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Showing posts from September, 2018

Do We Need Stereotypes?

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"Every time a drawing like this is published, a baby panda will die", Christoph Niemann warned in his most recent TED Talk last month.

The stacking of pictorial elements such as the suit, the ladder and the dollar sign into an "And then... and then... and then...". All telling and no showing. It might as well have been written. There is a reason, why it is a safe blanket for editors, as Niemann points out, in that no one will notice the presence of the cartoon.

Niemann took a stand against what I call lazy cartooning and it is an important one, since this is what gives cartooning a bad name. I wish to take his words one step further and address the lazy way we talk about cartooning, i.e. the tired litany that cartooning runs on stereotypes.

When we speak of premises for composing a cartoon, we do not speak of a repertoire or even just motif the way we classify the workings of other art forms. Instead, we speak of stereotypes, which in its meaning comprises the for…

Those Diabolical Caricatures

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In this case not the ones on paper or the screen. The protesters against the regime in Nicaragua are caricatures of human life, according to Rosario Murillo, Vice-President and thus co-aggressor against those same protesters.

Between 322 and 481 are dead. Those numbers are already a week old. Add to this the thousands of wounded, not to mention the detained being tortured.

So the physical violence is backed by her verbal violence useful for creating a case for striking back at the protesters. They have been called every catchphrase within the domain of evildoers and nothings, such as vampires and menials. She then flung out cat skinners, as in persons of no significance socially and economically, having to eat cats to stay alive.

Pedro X. Molina drew her as a skinned cat:




There may or may not have been a correlation, but the timeline makes it likely that it was in direct response to the cartoon above that she declared the population for caricatures.

If so, she was revealing herself t…

Rebels Needed

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Serena Williams lost the finale of the US Open to Naomi Osaka a week ago. Since then we have had a number of cartoons showing her throwing a tantrum with the Mark Knight-one getting most of the attention.

We know the drill. It gets the pink skinned righters out of the woodwork shouting WHAT I AM DRAWING IS MY RIIIIIIIGHT!!!!!

It is.

Having the right to is not synonymous with cartooning worth its name, nor should it be for that matter. Let us instead turn to the matter of drawing the tantrum in that it involved three thick prejudices:

1. Women are hysterical
2. Women are hysterical and consequently not professional
3. African-American women are hysterical and consequently not professional


Thick prejudice involves no thinking. The cartoonist just needs to scratch himself and they crawl out. Did he even draw her before and if not, did he wait until she fit into his image of the world? What was it to the story that made it worth drawing in the first place? Was this the vital angle to the…

What Can I Do?

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- What can I do to make this world a better place? What can we do to help?

Three students came up to Khalid Albaih after his artist talk at his exhibition at Kulturværftet in Helsingør.

The day after Khalid was speaking at RUC, Roskilde University, upon which he received a message from one of the students naming it an "eye opening talk":

"It really touched me. It has certainly inspired me to try and make a difference in the world for people who have it much harder than myself, in instances that you demonstrated today"
And the message went on to specify:

"I must admit that I am guilty of dehumanising the experience of refugees, not consciously, but just because of how it is portrayed in the media like you said today. That is definitely something that I am going to actively change". 


This is it, such is the significance of cartooning at its best.

When at its best, it has means of changing our perception of the world and doing so to one person at a time. Ca…
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